Showing posts with label text. Show all posts
Showing posts with label text. Show all posts

Tuesday, April 9, 2013

131: DW Meinig's Interpretation of Ordinary Landscapes

The Interpretation of Everyday Landscapes: Geographical Essays is a collection of landscape studies edited by DW Meinig.  It represents a conscious effort to complicate the cultural landscape and reclaim it from the abstractions of science, in a way that both respects the visual nature of landscape and takes advantage of its discursive possibilities.

In his Intro, Meinig defines an ordinary landscape as a continuous surface created by and through the "routine lives of ordinary people."  But it's also not that simple: landscape is a coherent unity of physical, biological, and cultural features; it has both functional and aesthetic components; it is more visual and panoramic than an environment, but less subjective and experiential than a place; and it is both a geographical formation and a representation, a history and a text, a symbol and an accretion of meanings.  Landscape is both space and meaning; it doesn't exist without interpretation.

The essays in this collection generally support Meinig's rather complex definition of landscape as a field of study.  A few highlights:

130: JB Jackson's Landscape in Sight

Landscape in Sight: Looking at America is a career-spanning collection of Jackson's essays edited by Helen Lefkowitz Horowitz.  From my notes from March 2012:

Horowitz writes in her introduction that Jackson’s two main purposes are to discover the American (cultural) landscape and to compare it with the landscapes of Europe.  She implicitly raises a host of questions that Jackson addresses in his work – is there a distinctly American landscape?  If there is, what makes it distinct, and why is it different?  What does this landscape say about American culture?  I like that she situates his work within the physical landscapes of Europe and America, but I suspect the ideological landscape (not that Jackson would like that use of the term) in which he was writing influenced him at least as much as the physical.  His work in landscapes belies a deep interest in culture and politics, showing him to be just as interested in ideas as he was in his physical surroundings.