Published in 1977, Langdon Winner's Autonomous Technology: Technics-out-of-control as a Theme in Political Thought examines the idea of autonomous technology as a "convenient receptacle for a host of contemporary anxieties." Using literary and political writings from a wide range of historical moments, he shows how autonomous technology has been associated with fears about a loss of human agency and self-governance, both at the individual and the societal level, to machines of our own creation. Technology therefore has a politics, and if humans are to regain control and autonomy, we need to dismantle technologies, learn how they work, and rebuild them so that they serve human needs rather than their own dominance and reproduction.
Winner argues that while technology has been central to political thought for some 200 years, the 20th century proliferation of technologies and their integration in everyday life has made technology into a "vast, diverse, ubiquitous totality that stands at the center of our modern culture." This diversity makes the word "technology" so complex as to be meaningless, or at least illegible, with the result that technology itself becomes a rather terrifying black box, appearing to usurp political power and move forward of its own volition. In modernity, the complexity of technology requires a new ruling class, engineers, to interface with it, and an environment conducive to its operations, with which architects and engineers happily comply. Technology also requires a particular social order to fulfill its operational requirements - which is to say that technology creates a particular form of technological politics, where the claim that "man controls technology" looks more irrational than the opposite.
