In
Chants Democratic, New York City and the Rise of the American Working Class, 1788-1850, Sean Wilentz describes the process of "metropolitan industrialization" - aka the alienation of labor - and its impact on emerging class relationships in New York during the Jacksonian era. In particular, he's interested in the development of class consciousness among the city's artisans. Like other scholars indebted to E.P. Thompson and the new social history, Wilentz is profoundly interested in the whole lives and particularly the agency of his subjects, but he is careful to integrate the world of the artisans into a more traditional economic and political framework. He combines these micro/macro approaches to argue that class formation was critical to the social and political crises of the era.
