From my notes from Spring 2012:
In Social Formation and Symbolic Landscape, Denis Cosgrove argues that
the idea of “landscape constitutes a discourse through which identifiable
social groups historically have framed themselves and their relations with both
the land and with other human groups, and that this discourse is closely related
epistemically and technically to ways of seeing.” (xiv) In other words, both
humanistic and scientific approaches to landscape construct, represent, and
interpret landscapes from a single, primarily visual, ideological perspective. If this perspective is more invested in
conveying the individual consumption of the landscape than in collective
production of it, it also clearly articulates the construction of landscape and landscape discourse with power.
Cosgrove builds this argument through a
history of the ‘landscape idea’ as it developed in Europe during the shift from
feudalism to capitalism (from the Renaissance to the Industrial Revolution),
where he subjects transitions in both physical construction of landscapes (from feudal manors and land-bound serfs to property and landless, mobile
populations) and representation of landscapes (from landscape painting and
maps to photography) to an analysis intended to break down the ideological
emphasis on the visual and to reveal the collective social construction of
landscape.
Showing posts with label social geography. Show all posts
Showing posts with label social geography. Show all posts
Monday, April 8, 2013
Sunday, April 7, 2013
100: James Duncan's Superorganic
In "The Superorganic in American Cultural Geography," James Duncan calls out cultural geography for laboring under an outdated and undertheorized concept of culture, and argues that cultural geographers and social geographers would both benefit from interconnections between their disciplines.
According to Duncan, cultural geographers in the 1970s (the essay was published in 1980) were largely still working from Carl Sauer's "superorganic" theory of culture in his 1925 essay "The Morphology of Landscape." Building on the work of Berkeley anthropologists Alfred Kroeber and Robert Lowie, Sauer theorized culture to be both autonomous and the determinant of individual human action. This separation of the individual from culture causes several problems for cultural geographers because
According to Duncan, cultural geographers in the 1970s (the essay was published in 1980) were largely still working from Carl Sauer's "superorganic" theory of culture in his 1925 essay "The Morphology of Landscape." Building on the work of Berkeley anthropologists Alfred Kroeber and Robert Lowie, Sauer theorized culture to be both autonomous and the determinant of individual human action. This separation of the individual from culture causes several problems for cultural geographers because
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