165: Arrighi, Hopkins & Wallerstein's Antisystemic Movements

From my notes from December 13, 2011 (!)

Author: Giovanni Arrighi, Terence K. Hopkins & Immanuel Wallerstein

Title (Year): Antisystemic Movements (1989)

Abstract:

The five essays that make up Arrighi, Hopkins, and Wallerstein’s Antisystemic Movements, all of which were presented between 1982 and 1988 at the International Colloquia on the World Economy, progressively theorize and explicate the new world-system and the antisystemic movements that shape and are shaped by it.  Although system and resistance are dialectically related, all resistence is directly shaped by the structures and processes of the world-system; the purpose of this volume is to reexamine patterns and successes of antisystemic movements thus far.  To theorize the world-system, AH&W expand on Weber’s distinction between class-based (economic) and status-based (prestige) political communities, which, in turn, is based on Marx’ base and superstructure.  They articulate status-based communities to autonomous nation-states and class-based communities to the increasingly global world economy, where economic and political competition are increasingly being replaced by giant transnational corporations managing vast circulations of capital.  States become striated into three rings of power: the core states, which conveniently include the US, USSR, Japan, China, and Western Europe; the semi-peripheral states, which are mostly communist, and the peripheral states which are going through various iterations of radical nationalism.  As capitalism goes global, power becomes centralized in the core, but capital becomes decentralized as it goes further and further in search of Third World countries that can’t resist its exploitation.  However, while increased globalization of capitalism leads to increased oppression of the world’s peoples, this process also leads to greater opportunities for transnational resistance, because capitalism’s “integrating tendencies” lend structure and organization to the resistence that is always-already fomenting just beneath the surface.  When oppression becomes too acute, antisystemic activity responds.  The dilemma of antisystemic activism, however, is that historically it has been aimed at overturning the state, but in the era of global capitalism it should really be aiming to overturn the capitalist system, because capitalism, not states, is where the power lies now.

I have to admit, I find a lot to like in world-systems theory, partly because it is clearly and succinctly theorized and partly because its global perspective helps explain processes that might be invisible or less logical at a smaller scale.  Although the authors touch on a mere two dozen sources in their bibliography, they spend pages explaining each element of their theory and how they used Adam Smith, Karl Marx, Max Weber, or Emile Durkheim to derive it, a process which, while keeping their work solidly within the Enlightenment canon, clearly anchors their ideas in the history of Western thought.  Thus, they are able to derive a political model from the familiar base-and-superstructure, explain that class is by definition a class in itself but nationalism is a class for itself (because it involves mutual recognition of non-economic similarities), and show that at a global scale, class and status become fused at the level of the state and therefore at the level of the (dialectically necessary) antisystemic movement.  Likewise, they can show that while social movements generally occur in direct action against the state, the new global capitalism – and the resulting fusion between base and superstructure at the state level – make it possible for revolution to occur at the global scale, both because the theory works out neatly and because all of the states are thoroughly and irrevocably interconnected.  The combination of theory and global scale makes world processes and world revolution visible and legible.  It also has an eerie ability to make sense of the relationships between, say, the Arab Spring, the teetering Euro, and the Occupy Wall Street movement: increased interconnectivity both renders economics more important than statehood and helps protesters mobilize class- and status-based identities and rhetorics to protest the New World Order.

Despite my infatuation with neat theoretical explanations, however, AH&W’s world-systems version of social movement theory is not without its problems.  Beyond the obvious lack of empirical evidence, world-systems theory, as Tilly reiterates in Big Structures, operates at such a large scale that only sweeping generalizations are possible; this leads to an erasure of the very differences between peoples and movements that can help explain their development, rise, and fall.  Further, characterizing social movements as merely the dialectical partner of global capitalism assigns all agency to the capitalist system and leaves nothing but structurally pre-ordained crumbs for antisystemic activists – or for any social actors, for that matter.  And far from being dynamic, the picture of the world that world-systems theory creates is resolutely static, with its three concentric rings of power, continually-suffering oppressed peoples, and linear trajectory from 1848 to 1968, which the authors call the “great rehearsal.”  The great rehearsal for the glorious revolution?  In spite of their insistence on a dialectical structure, the authors come off as rather heavy-handed Marxists, moulding world history into some slow but steady progress toward the final liberatory revolution.

Despite this heavy-handedness – and in some cases because of it – AH&W’s world-systems take on social movements is connected to many writers working on similar problems at the same time and has had a profound impact on the study of social movements.  The authors cite Marx, Smith, Weber, and Durkheim as their primary influences, and these are all very visible in the text, but Foucault and Althusser are also quite present, particularly in their conception of politics as a closed system and power as inescapable.  Although he disagrees with their choice of scale, Charles Tilly’s Big Structures shows that he was strongly influenced by their nation-state/world-economy tension as well as by the dialectical relationship between social movements and the structures they are moving against.  Tarrow’s Power in Movement belies a similar understanding of these tensions, though he (and Tilly) insist that the large-scale theory be paired with empirical evidence of historically contingent social movements.  Finally, and more recently, geographer David Harvey has adapted world-systems theory for the present day and has used it to advocate for revolution from within the system.  Thus, despite its faults, world-systems theory has been incredibly useful for scholars of social movements, and I imagine it will continue to do so.

88: Robin D. G. Kelley's Race Rebels

In Race Rebels: Culture, Politics, and the Black Working Class, Robin Kelley argues that extra-institutional forms of resistance, not formal SMOs, are foundational to black workers' larger struggle for racial and economic justice.  Building on James Scott's "infrapolitics," or everyday small acts of resistance, evasion, and defiance, Kelley shifts the political history of the black working class to the "margins of struggle," the unorganized, often spontaneous battles with authority, and the social movements that are somehow thought to be "inauthentic" representations of a community's interests.  He thus locates black political resistance in the complexity of the lived experience of ordinary people whose lives are raced and classed.

Kelley investigates black infrapolitics in a variety of 20th century settings and constructs: the double-edged sword of the "mask of grins and lies"in the pre-WWII South; African American Communists in the South and African American volunteers in the Spanish-American War; the zoot suits, bebop, and hipster ethic in the black male working-class culture of Malcolm X's youth and the gangsta rap of 1990s LA; bus protests long before Rosa Parks' formal resistance.  In each situation, he locates resistance at a wide variety of scales, from enlisting to fight in a war or working to build the Communist party to walking, smiling, dressing, sitting, or singing in a certain way and in a certain time and place.

By focusing on infrapolitics, Kelley is able to situate now-famous protests like the Woolworth's sit-ins in a long tradition of extra-institutional, everyday resistance; as George Lipsitz points out, he is also able pinpoint the beginnings of social movements in everyday forms of resistance that overcome oppression even as they are structured by its particular spatial, economic, and cultural forms.

87: Steve Hoelscher's Picturing Indians

Steve Hoelscher's Picturing Indians: Photographic Encounters and Tourist Fantasies in H.H. Bennett's Wisconsin Dells argues that Bennett's photography turned the Ho-Chunk people of the Wisconsin Dells into objects of the "camera's colonizing gaze," but that the Ho-Chunk also subverted Bennett's exploitation of them.  Bennett's photographs can thus be read as negotiations of power, where visual images both represent and shape the material world.

Photographs of Native Americans exploded at the turn of the last century due to the rise of commercial photography, mass tourism, and the final conquest and colonization of Native Americans.  While the most famous photographer of Native Americans was Edward Curtis, who wanted to record a vanishing way of life, H.H. Bennett had the far less noble goal of profiting by selling images of Ho-Chunk people to white tourists visiting the Wisconsin Dells.  Yet while Bennett worked to stage photos that communicated white nostalgia for a vanishing way of life, his Ho-Chunk models actively worked to resist becoming tourist objects: they wore certain items, posed in certain ways, and used the money Bennett gave them for their own economic and cultural survival.  And in real life, the Ho-Chunk have managed not just to survive but to retain and buy back their homelands in a very real repudiation of American cultural and political imperialism.

Throughout, Hoelscher works from a wide range of primary sources, including five years of interactions with Ho-Chunk people and close connections with Tom Jones, a contemporary Ho-Chunk photographer.  He is careful to contextualize Bennett's photography in the cultural, political, and economic milieu in which it was created, and to balance Ho-Chunk and white perspectives.  The result is a profoundly interconnected relationship between Native and white cultures that uses Bennett's tourist photos as a nodal point.

59: George Rawick's From Sundown to Sunup

In From Sundown to Sunup: The Making of the Black Community,  George Rawick stresses the agency and relative autonomy of American slaves "from sundown to sunup" - those few hours when they weren't expected to work the fields - to create the behaviors and institutions that helped them survive the oppression of slavery.

Rawick has two main theses.  First, he argues that black slaves developed an autonomous community outside of the white environment; this community was shaped by both their experiences in the US and their African heritage.  The backbone of this community was communication among slaves, which relied on travels of free blacks, reading of white newspapers, and the "interplantation" movement of the slaves themselves; it encouraged different levels of resistance, fostered a separate series of religious practices, and supported the continuity of the black family.  It also kept the slaves from having to become "Sambos."

Second, he argues that there was a connection between the parallel emergence of slavery and capitalism.  I'm not sure I buy this argument, but Rawick claims that racism has European roots; black Africans were seen as rural peasants who represented a longed-for but unreachable past, and therefore slavery and racism were punishment meted out to blacks.  And then racism played an important role in the growth and continuity of slavery and in the development of American culture more generally.

From Sundown to Sunup was one of the earliest books on slavery that treated slaves as subjects and actors instead of as victims and objects; working from an assumption of subjectivity allowed him to create whole worlds based on slave narratives and psychological and psychological theories.  This focus on slaves as conscious, subjective actors also allowed Rawick to overturn two oversimplifying accounts of slave culture: Kenneth Stampp's argument that slaves lived in a state of cultural chaos, unable to practice their African cultures and unable to understand American culture; and Stanley Elkins' argument that slave personalities were almost entirely determined by their subordination to authoritarian masters.  Thus, while it suffers from the same lack of verifiable data as do other attempts to reconstruct slave culture (and in Rawick, this lack is particularly exacerbated because he uses slave narratives from the Civil War era to reconstruct slavery in the 17th and 18th centuries), the book still puts forward a theory of racism and a respect for slave subjectivity that continues to impact later works.