132: Don Mitchell's The Lie of the Land

In The Lie of the Land: Migrant Workers and the California Landscape, Don Mitchell uses labor history, critical social theory, and cultural landscape studies to reveal the "connection between the material production of landscape and the production of landscape representations, between work and the 'exercise of the imagination' that makes work and its products knowable" in the construction of California's agricultural landscape.  In doing so, he argues that the "struggles over the form that the reproduction of labor power in industrial agriculture would take" ultimately shaped the landscape.  However, landscape is ideological in that it tends to "erase the politics and actuality of work from the view" (Cosgrove) and naturalize capitalist concepts like property and land ownership.  Therefore, the critical project of The Lie of the Land, to "understand the interplay between production and representation of landscapes, while at the same time restoring an ontology of labor to the center of landscape geography and history," is a political project.

107: Agee & Evans' Let Us Now Praise Famous Men

In July and August 1936, James Agee and Walker Evans were working on an article for a New York magazine in which they were to create a "photographic and verbal record" of "cotton tenantry in the United States."  In particular, they were to write about "the daily living and environment of an average white family of tenant farmers."  As it turned out, finding a "representative" sample of white tenant farmers proved difficult, but they found a group of three families and lived with them for less than four weeks, with Agee creating a written record and Evans taking photographs.  The article was not published, and the book went through multiple publishers before finally coming out in 1939.

Let Us Now Praise Famous Men is, as Bill Stott argues, a beautifully-made 1930s documentary; Evans' photos have long since become iconic, and Agee's prose claims the entire beat generation as its descendants.  Agee is also careful to situate himself and Evans as characters within the story of the tenant farmers' lives, so that the reader is clear throughout that the book combines objective reality and normative interpretation.  The main argument of the book is encapsulated in the verse that serves as its title: "let us now praise famous men, and our fathers that begat us."  The tension here is important: while the famous men lead us in creating history and are thus written down and remembered in history books, they are also responsible for the poverty in which his subjects live; while our fathers' names are never known to the world, they are arguably more important, because without fathers there would be no children, no next generation to pass history down to.  Thus he celebrates the particularity of the human life of his subjects even as he critiques the universal structures that create it.

89: Miriam Ching Yoon Louie's Sweatshop Warriors

Miriam Ching Yoon Louie's Sweatshop Warriors: Immigrant Women Workers Take on the Global Factory is both energetic activist scholarship and history from the bottom up.  Louie, a lifelong activist, builds on interviews with Chinese, Korean, and Mexicana immigrant sweatshop workers from five independent community-based workers' centers in New York, El Paso, Oakland, San Antonio and LA (from 1997-2000) to argue that "grassroots immigrant women [are] agents of change... the very heartbeat of the labor and anti-sweatshop movements."  By combining the experiences of these women with a structural analysis of the global sweatshop industry, Louie turns the story of their progress form workers to warriors into a handbook for other activists for social change.

Plenty of theorists and historians have explored the development of global capitalism.  Where Louie's account is unique is in her focus on (and identification with) immigrant sweatshop workers in the United States.  Working from this perspective, Louie shows that, first, the global sweatshop pyramid of exploitation takes advantage of the "exceptional" and the "different" in order to "relegate certain strata of the population into super-exploited positions and other to more privileged buffer positions;" the "exceptions" being gender, race, class, ethnicity, nationality, and so on.  She thus exposes the exploitation of social difference as the heart of the global capitalist enterprise.  Second, she shows that immigrant sweatshop labor in the US is itself a product of US expansion abroad: many of the women argue that "we are here because you were there."  And third, this perspective also allows her to show concretely and in detail how global capitalism can and is being resisted by the people at the very bottom of the pyramid, who use both their differences in language and in origin AND their common experiences to fight for basic rights like a minimum wage, safe working conditions, a cap on hours, greater corporate accountability... as well as food, education, rights to housing, and so on.

Louie brings the voices and experiences of women who have turned their differences into an asset and begun working together for social change.  And, conscious of her readers' probable ignorance of these women's lives, she asks that we not be voyeurs or consumers of their work and their lives, but that we join to help them in their struggles.

68: Elizabeth Engelhardt's Tangled Roots of Feminism

In The Tangled Roots of Feminism, Environmentalism, and Appalachian Literature, Elizabeth Engelhardt situates close readings of the writings of turn-of-the-century Appalachian women within their social, political, cultural, and geographical context.  While this project does work to recover these writings, many of which live in regional college archives and have never been published, it also shows  how Appalachia's women writers and activists at the turn of the last century "defined a philosophy of living that can help address social and environmental justice issues" that may be applicable today.  The book thus examines the "tangled roots" of women's writing, the environments in which they lived, and their connection to place in terms of "ecological feminism."

 The basic premise of ecological feminism is that there is no separation between humans and nature.  Humans and non-humans have a reciprocal relationship, where "self-Other" is replaced with "self-another" and both parties must take care of one another and help preserve the total ecology.  As the least-empowered in society, women can and must look out for the least-empowered in the total ecological system.  Therefore, all feminist activism must lead to long-term community stability, both environmentally and socially.  Ecological feminism in Appalachian women's writing thus led to critiques of capitalism and American corporations, as well as of any social structures that used hierarchies (race, gender, class, species, etc) to oppress, silence, or damage community members.  In defining ecological feminism, Engelhardt is careful to note that this is not an essentialist project; feminism and turn-of-the-century womanhood were not the same for all women, and activism took many historically specific forms.