There are illegibilities of the layered depths in a single place, of ruses in action and of historical accidents. The writing of these evocations is sketched out, ironically and fleetingly, in graffiti, as if the bicycle painted on a wall, the insignia of a common transit, detached itself and made itself available for indeterminate tours.
Michel de Certeau, The Practice of Everyday Life, Berkeley: University of California Press, 1988, p 200
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